As
I’ve stated in this blog on more than one occasion, I am a plotter vs. a
pantser. There’s nothing wrong with
being a pantser if that approach fits your writing style. (For those who don’t know, a pantser is someone
who writes a story by the seat of their pants, not planning it out in detail
ahead of time.) I actually did a lot of
writing for many years as a pantser. I
was afraid that I would lose interest in a story if I knew how everything was
going to work out ahead of time. At the
time, I was also more concerned about just learning the art of telling a story,
learning the balance of description, internal monologue, and dialogue.
I
did make one brief foray into plotting when I attempted my first fantasy novel
while in high school. For that story,
there were several plotlines that I was weaving while attempting to balance
three different points of view. (Yeah,
quite an ambitious project for a freshman in high school.) I actually finished that book a few years
later and started on the sequel, but I packed it away for other projects that
allowed me to be a pantser again.
When
I started the Dark Days series, I moved firmly into the land of the plotter,
which is where I hope I stay. Planning
out a story ahead of time takes some of the stress out of the project as you
always know where you are headed. What
shocked me as I worked on each book of the Dark Days series was the fact that
the story still held a number of surprises for me despite the fact that I knew
what I was going to happen. Sometimes it
came in the form of an event, a character revelation, or even a new character
that I hadn’t initially planned on.
I
continue to be a plotter in the new Asylum Tales series. The first book was very carefully plotted out
before I even started the first chapter and had many surprises since it was an
entirely new series, new world, and new characters. The second book … ahh… the second book
refused to be completely plotted. When I
started the book, I knew what I had to accomplish as it was tie up some
problems I had created in Angel’s Ink.
The problem was that I hadn’t a clue as to how I would deal with it
all. In fact, for the first ten
chapters, I would plot a few chapters and then write them before going back to
plot a few more chapters on my outline.
It was only recently when the pieces finally fell into place for me and
I completed the entire outline for the book. (And I have to say that I love
it!)
But
a funny thing happened to Gage as he headed into Chapter 13 this weekend. He went to this restaurant looking for
someone when I realized that this person wasn’t in the restaurant. Common sense said, “Delete the two pages you
wrote and start over.” But to my shock,
Gage put a hand on my shoulder and said, “Wait a minute. Let me look around. I think there’s something of interest here
for me.”
Who
did I listen to?
I
trust my main character, so I listened to Gage. He ended up having a very informative and
interesting conversation with some people he hadn’t talked to since Angel’s
Ink. Right now, I really like the
chapter and I think it will tie nicely with the end of the book. It might end up on the cutting room floor at
the end, but I liked stepping outside my carefully laid plot outline for that
chapter and letting Gage run on instinct.
You can learn a lot about the world you’ve created and the characters
you rely on when you let loose the reins every once in a while.
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